By Vicent Andrés Estellés
This feature of the verse of Valencian poet Vicent Andres Estelles (1924-1993) is followed by way of a translation into English from the unique Catalan. The layout of an leading edge discussion with classical authors — a cornerstone of Estellesian expression — constitutes an inventive invocation and parodic statement at the output and ethos of the Latin poets Horace, Ovid, Virgil and Catullus, the medieval patriarch of Valencian letters Ausiàs March and the Renaissance Castilian poet, Garcilaso de l. a. Vega. For Estellés, Octavian Rome presents a parallel to the Franco dictatorship and the old framework surrounding those writers offers the neophyte a chance for ideological denunciation, artistic wit and lyrical grace in addition to righteous anger on the oppressive pettiness of lifestyles below autocracy. The translators have tried to deliver to an Anglophone readership the wealth of accomplishment of this author who, regardless of the severity of fascist repression, sang and celebrated the event of his personal group via its personal oppressed language.
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Additional resources for After the Classics: A translation into English of the selected verse of Vicent Andrés Estellés
Sometimes you’d come by and i’d grab hold of your breasts, which i liked best, we’d climb on top of each other and roll over in the furrow. i’d forget about everything then and night would fall. i could no longer hear my father’s voice. some dog or other would bark in a farmhouse. 45 46 After the Classics xvii bon dia, grapat d’aigua, escarpidor, gillette, sabó, dentífric. bon dia, normalitat o hostilitat de l’oratge, volum de merda que he amollat i mire. oh, bon dia, veïna, que tornes del mercat.
Estellés: the voice of a people will challenge head on in an ideological confrontation in the pastoral mode which will focus in particular on the condition of woman in this machista-dominated environment. Simbiosis and schizophrenia Quite apart from the textualist aspect, however, the Valencian’s re-visitation of the past is also conducted in a most engaging and innovative manner. With the figures of Horace, Ovid and Catullus, the literary dimension is subordinated to a very peculiar biographical symbiosis which offers an alternative to the fixation with the aesthetics of precedence.
Intuïtiu, em vares dur als millors mestres de venusa, més endavant de roma, i fins i tot em vas permetre anar a grècia. com t’ho podria agrair, pare. em recorde. i tu, dempeus darrere meu. jo escrivia, assegut a la taula, miraves els signes que traçava jo com si anasses llegint-los o patint-los, no ho sé. de vegades em demanaves que et llegís allò que jo havia escrit. no ho entenies, però ho intuïes. el meu llatí ja no era el teu llatí. i callaves després. ara, mentre escric açò, et sent al meu darrere, a les meues espatlles, et tinc o et necessite.
After the Classics: A translation into English of the selected verse of Vicent Andrés Estellés by Vicent Andrés Estellés