By George M. Cohen
The saga of yankee artwork has a proud background and a promising destiny. eventually, the USA has been, during the centuries, a huge melting pot and assimilator of outdoor inventive types, recommendations, and philosophies. even though Americas artwork historical past is comparatively new, it has so elderly, matured, and ripened right into a famous culture that now the realm turns to it for course, objective, and that means.
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1750), Pointe Coupee Parish, Mix, Louisiana, and Homeplace Plantation (1801), Hahnville, St. Charles Parish, Louisi- tions in the South. had raised ground floors and open porch galleries on The open porch was quite functional inasmuch as it provided cross ventilation which relieved the intense summer heat and humidity along the Louisiana bayous. Stoneand-brick combinations were usually employed on the lower floor levels, while wood v/as used for the upper stories. The overall appearance, with pronounced doublepitched roofs, nostalgically recalled earlier French pioneer homes built in Illinois and Missouri.
The wonders of architecture and the kindred arts of . " Once back in Boston, he married into the wealthy Apthorp family and, in 1792, designed Charles classic. Bom . a house in Charlestown, Massachusetts, for his former employer, Joseph Barrett. The structure has since been torn down. In the following year (1793), he created, in the manner of Georgian Bath, London, sixteen houses in Boston which he called Franklin Place. The project (now demolished), turned into a fiasco since many of his financial partners backed out of the venture at the last moment.
1765-1766). He sent the work to an exhibition The Society of Artists in London and asked Sir Joshua Reynolds and Benjamin West to comment upon it. Rey- portant brother, nolds wrote the following: has] ... a little hardness in the drawing, coldness in the shades, an over-minuteness ... If you are capable of producing such a piece by the mere effort of youx own genius, with the advantages of example and instruction you would be a valuable acquisition ... [It to the art and one of the first painters in the world, provided you could receive these aids before it was too late in life, and before your manner and taste were corrupted or fixed by workmg in your little way in Boston.
A History of American Art by George M. Cohen